- Inoue
- When you insert a card into the Decade Driver, a different sound is played.
I think toys back then were limited in the sounds they could make.
This time, many new sounds will be played.
I was surprised to hear that it had been updated.
Apparently there are over 50 new voices recorded,
I think it must have been difficult for Mark too.
- mark
- Takeshi Hongo's "Rider, Transform! Too!"
I used to imitate chants like this when I was a child,
I hope my voice becomes one that people will want to imitate.
I approached the recording with this in mind.
- Inoue
- This is also a nice feature.
You can say things like "Transform!" while listening to the song (laughs).
- mark
- Wow, that's awesome! Yay!
I feel nostalgic about the sound of Rider No. 1 transforming (laughs).
- Inoue
- Personally, I like Invisible and Clock Up.
If you think about it, invisibility is a really powerful technique.
I've always thought that might be the case (laughs).
The visuals in Clock Up are really cool.
I love the feeling of fighting at high speed through the slowly falling rocks.
Illusions are good too, with clone attacks.
- mark
- The ones that sounded Japanese left a strong impression on me.
"Den-O!" or something like that.
How to read Japanese in a cool, English-like way
How should I say it?
Because I was a bit worried.
- Inoue
- I like that it's made of aluminum.
Also, there was the issue of the cards bending,
I think if it's made of plastic it's safe.
The belt band also feels very realistic.
The transformation belts that were sold at the time couldn't be worn.
It's a child's size (laughs).
- From children to adults, everyone should hear the voice of this belt.
I just want people to imitate me!
- So, here are some tips for transformation poses (laughs).
First of all, I want you to relax.
He quickly takes out the card and flips it over with a snap.
At that time, try not to move the card as much as possible.
So you just slip the card into your belt.
I want you to take action.
"It's a Kamen Rider passing by. Remember that!"
Don't forget the lines.
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